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- <text id=93TT2461>
- <title>
- Feb. 08, 1993: Reviews:Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Feb. 08, 1993 Cyberpunk
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS
- TELEVISION, Page 72
- A Magical History Tour
- </hdr>
- <body>
- <p>By GUY GARCIA
- </p>
- <qt>
- <l>SHOW: PAUL MCCARTNEY UP CLOSE</l>
- <l>TIME: Feb. 3, 10 P.M. E.S.T., MTV</l>
- </qt>
- <p> THE BOTTOM LINE: In a TV concert and a new album,
- McCartney finds fresh inspiration in his Beatles past.
- </p>
- <p> There is a jolt of deja vu right at the opening of Paul
- McCartney Up Close. It comes when the boyish ex-Beatle walks
- onstage and waves to the throng of cheering fans at New York
- City's Ed Sullivan Theater--the same theater where the Beatles
- made their American TV debut on Feb. 9, 1964. "We didn't even
- know who Ed Sullivan was when we got here," McCartney recalls
- in one of the reflective segments interspersed between songs.
- "But that was part of the fun of it."
- </p>
- <p> Twenty-nine years and 21 solo albums later, McCartney is
- still enjoying the fun of it--and provoking those female
- screams of adoration. MTV's 90-minute concert special, which
- airs this Wednesday, goes out of its way to tap memories of
- Beatlemania by letting the studio audience crush against the
- stage and switching between color and black-and-white camera
- work. For his part, McCartney uses the occasion to preview an
- upcoming world tour and offer a potent mix of Beatles hits and
- other songs from his new album, Off the Ground (Capitol
- Records), to be released next week.
- </p>
- <p> Catching his breath after a rollicking version of Twenty
- Flight Rock, the aging icon jokes, "I'm too pooped to pop, man."
- But McCartney, 50, is hardly ready to give up the ghost of his
- creative past. After decades of distancing himself from the
- Beatles, he has in recent years embraced the music that made him
- famous, and on Up Close he cheerfully continues that trend. His
- renditions of Lennon-McCartney classics like Fixing a Hole, Lady
- Madonna and Michelle are enlivened by the unabashed enthusiasm
- of his band. And McCartney has never rocked harder than on the
- extended version of Sgt. Pepper's Lonely Hearts Club Band, which
- includes a blistering jam of dueling electric guitars.
- </p>
- <p> McCartney's Beatles days also echo through Off the Ground,
- his best and brashest record since the 1973 Band on the Run.
- His tendency toward sentimentality is held in check by
- boisterous guitars and lyrics that raise an activist banner
- against animal abuse and social intolerance. The quirky
- orchestral embellishments on Golden Earth Girl and Mistress and
- Maid recall the Fab Four's psychedelic phase, while C'mon
- People, with its heartfelt appeal to "get it right this time,"
- evokes the Utopian sweep of Golden Slumbers and Hey Jude.
- </p>
- <p> In the epilogue of Up Close, McCartney dangles the
- possibility of a reunion with the two other surviving Beatles,
- a prospect that has already generated feverish media
- anticipation. "If we get together for one piece of music," Paul
- predicts, "we're bound to say, `C'mon, let's do another little
- thing.' " The Fab Three could even dust off their old Sgt.
- Pepper uniforms and hit the road, showing that their esprit de
- corps is as timeless as the Beatles' music. Then again, it might
- be wiser to respect the immutability of the past and simply let
- it be.
- </p>
-
- </body>
- </article>
- </text>
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